Bilingue Série espagnole dirigée par Fernando Teruel Les ouvrages de la collection bilingue vous proposent :
- des textes de grands auteurs étrangers ;
- une traduction fidèle et précise, sans être étroitement littérale ;
- une introduction critique permettant d'approfondir le sens des textes ;
- de nombreuses notes de caractère culturel, et des précisions linguistiques éclairant certains partis pris de traduction.
Les Funérailles de la Grande Mémé Los Funerales de la Mamá Grande Traduction de Claude Couffon Introduction et notes de Marie-Claude Dana « On retrouve dans Les Funérailles un écho de toutes les préoccupations de García Márquez : la mémoire, le temps, la solitude, la mort, le village microcosme. A ce titre, et au regard de la richesse psychologique des personnages, ce recueil mérite qu'on le considère, non pas comme des miettes de la grande oeuvre, mais comme quelques-uns des cent ans de solitude. »
Florentino Ariza has never forgotten his first love. He has waited nearly a lifetime in silence, since his beloved Fermina married another man. No woman can replace her in his heart. But now her husband is dead. Ariza has another chance to declare his eternal passion and win her back. Will love that has survived half a century remain unrequited?
Setting out to reconstruct a murder that took place 27 years earlier, this chronicle moves backwards and forwards in time, through the contradictions of memory and moments lost in time. Its irony gives the book the nuances of a political fable.
Memories of My Melancholy Whores is Gabriel Garcia Marquez's first work of fiction in ten years and it fully lives up to the expectations of his critics, readers, and fans of all ages and nationalities. Memories of My Melancholy Whores introduces us to a totally new genre of Garcia Marquez's writing. It is a fairy tale for the aged - a story that celebrates the belated discovery of amorous passion in old age.
This enticingly sensual yet at the same time innocent adventure tells of an unnamed second-rate reporter who on the eve of his ninetieth birthday decides to give himself 'a night of mad love with a virgin adolescent'. In a little more than 100 pages, Garcia Marquez proceeds to describe a series of encounters that is hypnotising and disturbing. When he first sees the chosen girl - a shy fourteen-year-old, whom he calls Delgadina - asleep, entirely naked, in the brothel room, his life begins to change completely. He never speaks to her nor does he learn anything about her, nor she of him. But her presence spurs the aged pensioner to recall his experiences with the other women in his life, all whores by profession, all paid to perform for him the acts of love. But now he realizes that 'sex is the consolation one has for not finding enough love'. Smitten, he screams of his love from the rooftops, which for him means writing about it in his weekly newspaper columns, and in return, he becomes the most famous man in his town.
Lve has always been a major theme in Garcia Marquez's writing. It is often visualized in his fiction as a source of endurance, a bulwark against the rush of time's passage. In Love in the Time of Cholera, he celebrated a love that was almost fifty years in forming, modelling it on the courtship of his own grandparents. This last novel, written at the peak of the author's fame, is another illustration of its tranformative power. Memories of My Melancholy Whores, written in Garcia Marquez's incomparable style, movingly contemplates the misfortunes of old age and celebrates the joys of being in love.
The author traces his life from his birth in 1927 to his 1950 proposal to his wife, discussing such topics as his love for Colombia, the impact of literature and music on his life, and how his written works reflect his life.
One of the world's most famous novels, One Hundred Years of Solitude by Gabriel Garcia Marquez, winner of the Nobel Prize for Literature, blends the natural with the supernatural in on one of the most magical reading experiences on earth.
'Many years later, as he faced the firing squad, Colonel Aureliano Buendia was to remember that distant afternoon when his father took him to discover ice' Gabriel Garcia Marquez's great masterpiece is the story of seven generations of the Buendia family and of Macondo, the town they have built. Though little more than a settlement surrounded by mountains, Macondo has its wars and disasters, even its wonders and its miracles. A microcosm of Columbian life, its secrets lie hidden, encoded in a book, and only Aureliano Buendia can fathom its mysteries and reveal its shrouded destiny. Blending political reality with magic realism, fantasy and comic invention, One Hundred Years of Solitude is one of the most daringly original works of the twentieth century.
'Dazzling' The New York Times As one of the pioneers of magic realism and perhaps the most prominent voice of Latin American literature, Gabriel Garcia Marquez has received international recognition for his novels, works of non-fiction and collections of short stories. Those published in translation by Penguin include Autumn of the Patriarch, Bon Voyage Mr.President, Collected Stories, Chronicle of a Death Foretold, The General in his Labyrinth, Innocent Erendira and Other Stories, In the Evil Hour, Leaf Storm, Living to Tell the Tale, Love in the Time of Cholera, Memories of My Melancholy Whores, News of a Kidnapping, No-one Writes to the Colonel, Of Love and Other Demons, The Story of a Shipwrecked Sailor and Strange Pilgrims.